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The song is full of heartache and defiance, equal measures vulnerability and strength, and it’s Allison at her best. It’s mostly Allison alone with her electric guitar, playing chords and singing about an ephemeral, passing love. “Still Clean” is a stunner of an opening track, with the signature warmth of Allison’s voice coupled with one of her best hooks. I’d always wanted my music to sound this way, I just didn’t have the means before.” It was like being in a nicer bedroom, with better quality stuff. “It still felt do-it-yourself,” she says. The music gains clarity and power, losing none of the trademark intimacy of her Bandcamp work, something Allison credits to days spent recording in Wax’s home studio. The higher production values play to Allison’s strengths, highlighting the maturity and growth of her songwriting. I wanted to make something that was a full piece of my life, that addressed similar themes and held together as a whole.” “I’d never made a full album before, just EPs and random tracks thrown together. “I wanted it to be a lot more cohesive than the rest of the stuff that came before,” says Allison, on her decision to record in a studio. Produced by Gabe Wax (War On Drugs, Deerhunter, Beirut) and mixed by Ali Chant (Perfume Genius, PJ Harvey), Clean is Allison’s journey out of the bedroom and into the studio. She toured with Mitski, Jay Som, Slowdive, and others, and was featured in the New York Times article “Rock’s Not Dead, It’s Ruled By Women.” The bedroom project of Sophie Allison is now a full-time band with a new studio-album debut, Clean. She quit school, moved back home to Nashville, shifting all her focus to music. “It was either quit school now and do it, or stop growing as an artist. “I realized that I could do this full-time,” says Allison. A buzz began to grow around her Bandcamp recordings, leading to live shows and eventually a record deal, with 2017’s critically acclaimed bedroom-recorded compilation Collection.
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She bought a Tascam digital recorder and began to experiment with production, pushing the quality and craft of her songs to new heights. I didn’t think anyone would notice.”Īll that changed the summer before Allison left for college.
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I did it for fun, posting songs on Tumblr, Bandcamp, and Soundcloud. “I’ve played music since I was six,” says Allison, “and I always wrote songs just for myself. She cut her teeth in her local DIY scene, going to shows and hanging out with other musicians, though she kept her own songwriting secret. Soccer Mommy is the project of twenty-year-old Sophie Allison, a Nashville native. “I want a love that lets me breathe/I’ve been choking on your leash.” It’s a mission statement, a reclamation of power, a rewriting of all indie rock’s rules. Over knotty, distorted guitars and churning bass, Allison is equal turns confrontational and vulnerable. “I don’t want to be your fucking dog,” sings Soccer Mommy’s Sophie Allison on “Your Dog,” a highlight from her new album Clean. All ages are welcome.Īdditional ticketing and venue information can be found here. All tickets are general admission standing room only with limited bench seating available on a first come first served basis. Tickets go on sale Friday, May 10th at 10AM at The Top Hat, online or by phone at 1 (800) 514-3849. Logjam Presents is pleased to welcome Soccer Mommy live in concert at the Top Hat on September 23, 2019.